- #CYRANO DE BERGERAC FILM 1960 STREAMING MOVIE#
- #CYRANO DE BERGERAC FILM 1960 STREAMING REGISTRATION#
- #CYRANO DE BERGERAC FILM 1960 STREAMING PLUS#
But it’s also quite disarming, heartfelt, well-cast and nicely crafted. The Half of It is somewhat formulaic, sometimes too-cute, and introduces the occasional more-serious theme in rather trite ways. Going beyond his “I like you lets date” vocabulary to pitch woo on her own terms, Ellie is more “successful” than she’d bargained for when the prettiest girl turns out to be starved for intellectual discourse. She’s got a secret crush on beauty Aster (Alexxis Lemire), a situation that grows more complicated when a sweet but very dumb jock (Daniel Diemer) asks her to ghost-write mash notes to…guess-who. Leah Lewis plays Ellie, the lone Asian American in her small-town upstate NY school, a shy brainiac whose only contact with her loud, shallow classmates is doing half of their homework for cash. Among the more notable additions to Netflix this month is Alice Wu’s The Half of It, a teenage spin on Cyrano de Bergerac. Meanwhile, let’s look at some recent arrivals in the world of commercial streaming. At present, it is hoped that the full, in-person CAAMFest that normally takes place in spring can take place sometime this fall.
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#CYRANO DE BERGERAC FILM 1960 STREAMING REGISTRATION#
These programs are all gratis, but require “ticket” registration for access. Mendoza’s Fruit Fly, his followup to the beloved Colma: The Musical. The latter include new shorts, documentaries, and a 10th-anniversary “sing-a-long version” of H.P.
#CYRANO DE BERGERAC FILM 1960 STREAMING PLUS#
Starting this Wed/13, CAAM shifted its annual main shebang, not long ago known as the SF International Asian American Festival, to an “online alternative” that runs through the 22nd, and serves the dual purpose of celebrating Asian Pacific Heritage Month.ĬAAMFest Online: Heritage at Home offers over twenty free digital happenings, from panels to parties to live performances (all observing shelter-at-home protocol, of course), plus numerous film/video selections. I don't know if the MTV generation will feel like my classmate of years ago, but if they turn away from music videos and watch this, they will be treated to a once in a lifetime acting performance.We’ve been in the middle of all this long enough for events during what’s usually high festival season to start coming up with some programmatic alternatives to flat-out cancellation.
#CYRANO DE BERGERAC FILM 1960 STREAMING MOVIE#
He's a swashbuckler to be sure, but you certainly couldn't cast any of the normal movie swashbucklers in that part. He's a tortured soul and Ferrer gives THE interpretation of Cyrano. But that proboscis fills him with doubt when the opposite sex is concerned. But Cyrano, you have to be a real actor to play that one.Ĭyrano is a soldier, writer, swordsman even a gourmet of sorts. Roxanne is a sweet young girl looking for romance, Christian is a handsome dunce, Comte de Guiche is a Snidely Whiplash villain. All the other characters Rostand gave absolutely no depth to. To be sure Cyrano de Bergerac is a one man play. Jose Ferrer puts everyone else in the cast to shame with his performance of Cyrano. If they take that tack then folks will be losing out on appreciating a great play and role essayed by a man who possessed one of the great speaking voices of the century. Rostand, who wrote the play in the 19th century about the 17th century might as well have been writing about people on Mars. I'm afraid that that might be the feeling of a lot of readers of the play and viewers of the film. Reviewed by bkoganbing 9 / 10 If Only Plastic Surgery Had Been Available.īack years ago in high school studying Cyrano de Bergerac, with a textbook having pictures from this film, one of the other students asked simply why didn't he just get a nose job? It got a lot of amusement when the teacher told her that that procedure just wasn't available in Cardinal Richelieu's France. Overall, excellent and worth seeing for especially Ferrer.
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As much as I loved his performance in Moulin Rouge, it is in Cyrano De Bergerac where he is at his finest, really resonating with me by how dignified and moving he was. But the film, same goes with the story itself too, really belongs to Jose Ferrer. William Prince is more than adequate and Ralph Clanton sneers effectively as De Guiche. Of the acting, faring weakest was Mala Powers, she is beautiful but not much is done for me to make her beyond that.
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It is well directed by Michael Gordon also. Dmitri Tiomkin's music score is suitably rousing, the sword play is clever and never clumsy and the script is witty and poetic, while the story never fails to thrill or move me in the way it should do. I have seen more beautiful-looking films elsewhere, but the film is well shot and the costumes and sets do have a certain charm to them.
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Reviewed by TheLittleSongbird 9 / 10 An excellent film with Jose Ferrer's finest performanceīeing a big fan of the Gerard Depardieu version, I was all for seeing this film from 1950 with Jose Ferrer.